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And in the care Rob pours into his record collection-even, in one memorable sequence, his sorting the whole thing to be “autobiographical”-we see his attempting to make them into something that can give the whole floundering course of his life some meaningful weight, like the heft of 180-gram vinyl. That’s because the songs always empathize they’re always about you.
Hopelessly romantic and tragically immature, Rob’s been filtering his feelings through other people’s music for so long, he’s fully bought into the way they can make your own suffering seem transcendent and romantic, without having to wonder, you know, if maybe you’re suffering because you’re just an asshole. But as we meet him in the wake of being dumped by his fed-up lawyer girlfriend, left alone with nothing but his wax slabs of other people’s words, we see Rob reaching the limits of curating a life rather than building your own. Rob may take evident pride in his mix-tape skills at “using someone else’s poetry” to express himself, and amid their endless list-making and quibbling over whether it was Jan or Dean who got into an accident after recording “Dead Man’s Curve,” he and the rest of the Championship Vinyl staff make a puffed-up argument for their intrinsic cultural value as archivists. Cusack’s Rob is a surly sad-sack composed of equal parts narcissism and self-loathing-a guy who asks himself questions like, “Did I listen to pop music because I was miserable? Or was I miserable because I listened to pop music?” and who regards his fellow collectors with a mocking disdain manifested out of subconscious shame.
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Into that rapidly changing atmosphere came this movie that posited collecting, the old-fashioned kind, as a deeply intimate exercise, albeit one pursued by emotional imbeciles. You could still define yourself by what you liked, but it was increasingly easy to fake that-to be, essentially, a burned CD-R of a person. Your “record collection” was just as likely to be a folder of MP3s. And although the iPod was still a year away, there was the growing sense that physical media was about to become superfluous.
That same year, Pitchfork began arming even kids in flyover counties with the tools to discover underground bands in faraway cities, then dismantle them in the same breath.
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In 1999, the debut of Napster meant you could now hide that secret shame, “discover” an artist and download their entire discography in a matter of hours, allowing you to go from a neophyte to diehard overnight. More and more, you weren’t going to record stores to be chastised by some Jack Black lookalike for not owning Blonde On Blonde. The Reckless Records “High Fidelity” Pop Up will take place February 13th-15th, 2020, from 1-7pm and is located at 1379 North Milwaukee in Wicker Park, Chicago.Įditor and Film 2020 Patrick McDonald, HollywoodChicago.When High Fidelity was released in 2000, this idea of “collecting”-and the intimidating power wielded by those who pursued it seriously-already seemed on its way to obsolescence. Created by Sarah Kucserka and Veronica West. Holmes, Jake Lacy and Da’Vine Joy Randolph.
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The series ”High Fidelity” premieres on Hulu, February 14th, 2020. In the following Podtalk, Patrick McDonald of talks to to Reckless Records manager Melissa Grubbs about the upcoming “High Fidelity” Pop Up and the roots of the series in Chicago. The Reckless Records Pop Up is back in Wicker Park. The adventures of a record store owner was originally set in London for the novel, but the location was moved to the Wicker Park neighborhood of Chicago when the 2000 film – featuring John Cusack – was produced.
The roots of “High Fidelity” goes back to the 1995 novel by author Nick Hornby (who serves as writer and Executive Producer of the reboot). Zoë Kravitz is Featured in ‘High Fidelity’
And Hulu will match record sales over the three days and donate the funds to the music education non-profit Little Kids Rock, a program with a thousand-strong network of grades K-12 teachers across 45 states, leading a national movement that brings innovative and inclusive music education to students. Attendees can also unlock shareable assets at the Hulu/Spotify “Swipe to Spin Your Love Anthem” kiosk. To introduce the updated series – which is available at Hulu for download on Valentine’s Day 2020 – Reckless Records will be giving away “High Fidelity” LPs, T-shirts, hats, totes, buttons and more during the event days. Although the new series is centered in Brooklyn, Chicago’s Reckless Records – the 1379 North Milwaukee location in Wicker Park – will participate in a special “Pop Up” that will celebrate the series and its roots, from 1-7pm, Thursday-Saturday, February 13th-15th, 2020. CHICAGO – “High Fidelity” is back! The iconic 2000 film, which was set in Chicago, is being rebooted as a Hulu series featuring Zoë Kravitz.
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